Nice things going on in the publishing world : )

So my friend, the fabulous agent Gemma Cooper has accepted a position at the fabulous Bent Agency! Good news for all concerned and good news for you too, since you can now query her there!

Here's the post making the announcement where Gemma gives a full list of what she's looking to acquire. Exciting! Look how many exclamation marks I used!

Other inneresting stuff: I'm trying to finish the first draft of this YA contemp I'm writing by the end of this month. I'm considering a pepperoni and cheese sandwich for lunch. Harper are accepting unagented submissions for a short time next month.

Here's where you can find Harper Voyager guidelines for digital submission

And here are some of the details I took straight from their site.

Keen to become a Harper Voyager author? Here’s your chance to join the imprint that publishes some of the biggest names in fantastic fiction—George R. R. Martin, Kim Harrison, Raymond E. Feist, Robin Hobb, Richard Kadrey, Sara Douglass, Peter V. Brett and Kylie Chan—to name but a few.

For the first time in over a decade, Harper Voyager are opening the doors to unsolicited submissions in order to seek new authors with fresh voices, strong storytelling abilities, original ideas and compelling storylines. So, if you believe your manuscript has these qualities, then we want to read it!

We’re seeking all kinds of adult and young adult speculative fiction for digital publication, but particularly epic fantasy, science fiction, urban fantasy, horror, dystopia and supernatural. For more idea of the type of books we love to read and publish, check out our authors and their titles at www.harpervoyagerbooks.com

Submissions for digital originals will be open for a limited two-week period from 1^st to the 14^th of October, 2012.

Worth a look!

Which came first - the query or the book?

Cute. This is before the little fella tried to figure out which way round was best.

 I've done it both ways - book then pitch, and pitch then book (although I'm yet to complete that second way - at the moment I have two pitches written that are bookless).

Here's what I found: When I wrote my first pitch there was anguish and rending of garments and so on. I'd written the book (it was a bit rubbish) and there was no way I could make the story fit into the Query Shark formula (side note: some people can break the rules and get results with queries. I'm not one of those people, so I follow the formula). My book just didn't want to be constrained that way because it was just too...

It was just too rubbish is what it was. It took a long time to write a decent query for that book because the book itself didn't have great stakes.

Book 2's query took a similarly long time, but for different reasons. Namely these: I'd spent so long writing my book, it had so many great things in it that NEEDED to be in that query and there was no way 250 words was enough. (It can be hard to see the core of the story - especially if you've pantsed it in the first place.)

In short, despite the fact that my query for Book 2 worked, it was DIFFICULT to write.

Here's the good bit: More recently, Ive been writing the pitch first. And it's been a complete revelation.

Mind. Blown.

One advantage of doing it this way round is that you don't get bogged down with uneccessary detail or tempted to make mention of that incredible sub plot you have going on. The idea comes out pure. And although it might need a little flavour injecting into it later on when you've nailed down the characters and the setting, you'll have the core plot ready made.

I'm also hoping it will keep me on track when I come to actually write the book. I know what the main thrust of the plot is, so I can (theoretically) make sure I'm always writing towards it (and bypassing that scene at the sewage plant that seemed like a good idea at the time in favour of something that matters and isn't gross).

Plus I know that the plot is big enough, that the stakes are high, and that the choices these charatcers are going to have to make are WHOA (this is a technical writerly term I'm sure you're all familiar with). 

Not convinced? How about this: Do it this way round and you won't waste any time writing a book that isn't going to fly. You won't feel pressure to do your wonderful book justice and gnash your teeth over the pitch, because you haven't written said wonderful book yet. Stress-free query writing!

Yes, I googled 'book coming out of an egg'. Not sure what I was expecting.

So what do you think? Have you tried this? Did it work for you?

Query Tips. Get ready for the AGENT JUDGED CONTEST!

 Next month it's my blogiversary and to celebrate, I'm holding an agent-judged contest!!

It will be open to all MG and YA fiction, and to enter you'll need a completed manuscript and a query letter. This will be open to EVERYBODY - it doesn't matter if you've entered one of my competitions before.

Now I can't help you with the completed ms (not even if you bribe me with Rocket Dog shoes or orchids), but I can offer some QUERY TIPS so you have the best chance of winning one of the fabulous prizes.  

My first tip is this: Read the Query Shark blog. ALL OF IT. I'm a big fan of the Query Shark Formula, which goes like this (and no I don't have to look it up - it's committed to memory and internalised):

What does the mc want?

What's going to get in her way?

What choice/dilemma does she face?

What terrible thing is going to happen if she chooses A; what terrible thing is going to happen if she doesn't.

You can see how I used that formula here and I'm going to give you another example that will let me talk about what WON'T work too.

This is the query I wrote (and edited, and edited, re-wrote, deleted, wrote, edited, re-wrote and edited) for my first novel.


 Ana’s had her foot on the gas pedal of the self-destruct truck ever since her mother’s murder. In a last-chance foster placement before she turns eighteen, Ana vows to dust off her self-control and keep her big mouth shut. Blending in at school is easy. Even a spot of casual stalking can’t hurt - unless her new best friend is crushing on the boy in question too.

 

 When Ana overhears said gorgeous creature, Dev, talking with her own shrink, and about her no less, she ditches her new policy of thinking before acting. A recon mission takes Ana to the graveyard adjoining Dev’s place. Instead of answers, she gets a run in with a Dark Angel whose sole purpose is making Ana a permanent resident of the cemetery. Dev saves her life, and Ana learns her fascination stems from a link stronger than attraction; Dev is her Guardian Angel. Ana’s at the epicentre of a battle, and if she wants to save herself and Dev, she needs to find out why.

 

 As Ana’s schemes lead toward her final confrontation with the Dark Angel, she discovers Dev has concealed the real purpose behind his protection. If that’s not messed up enough, she finds out the angels are connected to the reason she’s spent a lifetime in foster care. To bring down the Dark Angel, Ana must make a choice: trust Dev and face her long-suppressed past, or sever their bond and shatter a love that would define her future.

*Blush*

And in case you're wondering, it got three requests for partials and seventy two rejections before I shelved it. The reason I'm showing you this is so that you can see that following the formula and writing what, if I'm honest, I still think is a half-decent query, is not the only thing that matters.

The reason this query failed is because the premise of the book wasn't unique enough. I hadn't read many YA books at the time and I didn't know this. 

I also think this query has a voice that wasn't present in the pages. Poor Ana - she just didn't have what it takes. 

There are lots of places where you can find out that your query should be about 250 words, and that you should type it straight into the email rather than copy/paste because that will screw with your formatting. I'm not going to repeat all that here.

What I am going to say is that you should use the tone and voice of your ms to write your query.

You should know what's out there on the shelves already.

And you should read agent's submission instructions and blogs - you can find out a lot about what they're looking for and what they've seen a lot of.



More details on the competition will follow soon! In the meantime, polish up your query, make sure your MG/YA ms is in the shape you want an agent to see it in, and tell anyone and everyone who writes to come and join in because there may be more than one agent judging, and there WILL be more than one prize : D

The How I Got My Agent series: This week's guest post by Nick Cook.

It's time for the next installment of How I Got My Agent. This one's a little bit different, which I like. You know I'm a big advocate of the slush pile, but as Amy showed us earlier this month, it's not the only way to get an agent. I'll hand over to my Twitter friend Nick, to tell you how he did things a little bit differently, but got the result he wanted. Over to you, Nick!



My route to securing an agent was some time in the making and maybe not the standard journey (if there is such a thing) that most experience who succeed. 

In my former life I was the art director at a very successful games studio. The best thing about that job was working with such a talented creative team, but there was also a little voice inside me telling it was time to start getting serious about my writing. Eventually it got so loud there was no ignoring it any longer and one bright sunny autumn day in 2006, I walked out of my studio for the last time ready to pursue a full time writing career. I was fortunate that I had sufficient funds to finance that creative itch for some time without starving. So I started working in earnest.

A couple of drafts into my first book, like many who've been there in those early days, I was convinced my work was a masterpiece. I also happened to have a contact at Chicken House and within a short space of time became the proud recipient of a personal reject email (albeit a very nice and encouraging one) from Barry Cunningham no less. This was one of the best wake up calls I could have had... I realised I was just one of hundreds of manuscripts that had probably landed on his desk that week and had I really fully learned the craft to start putting my work out there yet? This needed a rethink on my part. 

I looked seriously at taking an MA in creative writing, even had an interview and was shortlisted but had left it too late for that academic year. So I sat down and considered what the priorities were for me... that mental conversation with myself took about a minute. What I obviously needed was an agent, but not just any agent, but a great agent of course. So the small matter of how that could become a reality started to occupy my mind... there had to be a way to avoid getting lost in the slush pile?

Having rifled through the Writers and Artists Yearbook a number of times and having filled it with coloured post-its identifying agents I would have sold a kidney to work with, I noticed one name appearing a number of time. It was a company that some agents took referrals from for new authors. That company was called Cornerstones. 

Cornerstones are a manuscript agency who will, for a fee, provide a detailed report on your manuscript. They also act as talents scouts for agents. This sounded perfect to me and so started a very rewarding collaboration with them. I paid for a report on my first book and it was a real eye opener, so much useful feedback identifying both strengths and weaknesses in my work. I was instantly hooked. I continued to work with Cornerstones and eventually although we both felt my first book showed real promise, the senior editor there, the wonderful Kathryn Price, told me she wasn't sure that it was necessarily the right book to launch my career with. This is where Cornerstones are brilliant. They look at your work holistically and in terms of whether a book is really the right one to establish you. Consequently, I took the tough decision to park the first book (actually three in the series by that point) with a mind to returning to it later on. In the meantime I had this new concept bubbling away and when I sent the first three chapters into Cornerstones, they were immediately excited by it. I was too. I could feel it was the right book, the one that would grab people's attention. It was at this point Cornerstones signed me, a real boost to my self confidence at the time (doubts inevitably start to creep in over a prolonged period). So began a period of intense writing and Kathryn pushing me to deliver my very best work. By December of 2011 we both agreed we had a draft ready to send out to agents. One month later I was signed with the totally wonderful Eve White... I couldn't have asked for a better agent. 

So there you have it. Lots of writing, false dawns and perseverance, combined with the guiding light to develop my writing that a manuscript agency can provide. I certainly feel I served a very rewarding writing apprenticeship working with Cornerstones. It's an alternative route to an agent, but a great one even if you just decide to get a report from them and nothing more. As a signed author Cornerstones take ten percent of my first advance as a fee. But for me this been earned times over. As you can probably tell, I can't recommend their services highly enough.

 You can follow Nick on Twitter and via his blog.

The How I Got My Agent series: This week's guest post by Natalie Parker.

This week's post is from a fellow Greenhouser from across the pond, one of Sarah Davies' clients : ) Over to you, Natalie!

I began my pursuit of the elusive agent in high school. Only, it wasn’t much of a pursuit. It was more like a half-hearted gesture in their general direction.

It went like this:

I wrote something.

I called it a book.

So did my mother.

And so I printed it out and mailed it off to one or two agents (I honestly don’t remember how many) along with my Hopes and Dreams of becoming an Author. It didn’t take long to receive rejections (I only clearly remember one) and that was the end of that. I set novel-writing aside and instead went to college, which later became grad school, which then became a career.

Basically, my creative self was off sitting in a corner tapping her toe, occasionally calling me names and making frustrated gestures (possibly, some of them were obscene).

So! I decided she needed some exercise and with the support of my partner, I began to carve out time here and there for things like writing and playing my cello and hoarding nail polish. Each of these was satisfying to Creative Natalie P, but writing quickly rose to the surface taking precedence over all other endeavors.

By the early months of 2010, I’d written something that was vaguely book-shaped. It had all the right pieces in all the right places and I was resoundingly proud of it. I handed it over to a few readers (oblivious to the duct tape holding key pieces together, the persistent droop in the narrative arc – it was positively replete with mediocrity) and felt relatively sure it would blow their minds. 

It did not.

They both returned the vaguely book-shaped manuscript to me with the same words: “This is really good, but you can do better. Put it down and write another.”

I never queried that project. Not even once.

In an instant, I went from Ready to Query to Starting from Scratch. And that very day, I started brainstorming a very different project. Creative Natalie P wasn’t feeling defeated, as I’d expected she would, but anxious and inspired. In fact, there was a certain amount of glee involved in shutting the drawer on that novel and opening a blank document. Much as I loved that first novel, I knew my next one would only be better, and I wanted to be better just as much as I wanted an agent.

The new project took a fair bit of time – nearly a year. I was still balancing full-time work with learning this craft and other daily adventure sorts of affairs. I drafted and redrafted and re-redrafted until once again I was certain I had something that would blow minds.

This time when I handed it over to readers, it looked much more solid. It had all the bookly pieces in all the right places and I could see they fit together really, really well. And my readers agreed. It blew their minds….but still we went through rounds and round of revision until finally (FINALLY!) they called it ready.

And it was.

I sent queries to my top seven agents. Six requested the full, and four offered representation.

Three weeks after sending those queries, I made an utterly terrifying, utterly exhilarating choice and signed with my agent (who, for what it’s worth, pulled me from the slush).

When I think back on it, I am so, so glad that I had readers who were willing to tell me I could do better. Listening to them was hard. I was anxious to move onto the next step. I wanted to believe that first manuscript was it. But I’m so glad that I waited.

So, I think if I were going to boil all of this down into a piece of advice about finding an agent of your very own, it would be this: Take your time.


Natalie's blog and twitter!

The How I Got My Agent stories: This week's guest post by Amy Christine Parker.

How I Signed With My Agent Lucienne Diver

First and foremost, thank you, Ruth, for allowing me to tell my story. My husband thanks you too since he is sick to death of me recounting everything for the one hundredth time. And it’s probably a little sad that the kids can recite the story by heart…

So, where to start? I guess at the very beginning is best. I didn’t start writing seriously until about two and half years ago.  I think that I only began to wonder what it would be like to write when I began telling my children stories that I made up every night at bedtime. I was carrying on a family tradition since my grandfather used to tell stories to me this way. In the back of my mind I think I always wondered secretly what it might be like to write full time and to be published, but I never saw it as practical and so never allowed it to become something I seriously pursued. But once I thought about it I knew that I was at the perfect stage of life to try. I didn’t have a full time job other than being a mother  (which, let’s face it, IS a full time job, but what I mean is I didn’t have a paying one so no one had expectations of me earning anything right then) and I had some free time during naps and late at night. If ever there was a time to make a go of it, this was it.

And so I just decided to dive in, like sky diving without a parachute kind of diving in. I had an idea for a novel and I just went with it even though I’d never written anything longer than a term paper in my life. After a year and a half, I had a finished manuscript. Not a sellable one, mind you, but a complete story. I did query it, but only briefly and mostly just to see how the process worked. Deep down I knew it was not really publishable; it was my college so to speak. But by now other novel ideas were coming fast and furious and I had one in particular that I thought could be really good…provided I had the chops to write it the way it deserved to be written.  I got busy on it, writing and rewriting in radical ways until I was satisfied that I had done my best.

Now, the one thing that made my journey unique is that at a local writer’s group (one I started and hosted when I couldn’t find one for novelists), I met an agent, Lucienne Diver. She lived nearby and knew someone who attended the group and just decided to check it out one night. Over time I emailed her here and there and commented on her blog whenever something resonated with me. She came to group some months later once again and very slowly we got to know each other. She is a young adult author herself (The Vamped Series, the latest, Fangtastic came out in January) and so we bonded as fellow writers. I told her about what I was working on and when she heard the general pitch, she asked to consider it.

Now fast forward to this November, when I finished my manuscript. Lucienne had reiterated her wish to look at it and I was ready to take her up on it. I queried her first and exclusively. She had taken an interest in me as a writer long before she needed to and I felt that she should be able to look at it before anyone else.  And if I was lucky enough and she was interested? I would sign immediately. I liked the idea of signing with someone I knew personally, someone who I already really liked. She read my manuscript on Friday the 13^th in January (very appropriate since it’s about a girl in an apocalyptic cult and the end of the world) and she offered representation the very next day. I signed officially two days later. And the rest is shall we say…in the works! 

So there you have it, my story in a very large nutshell. Hmmm, that was so much fun I think maybe I might need to tell it all over again. Honey? Kids? Are you there? Anyone???

You and Mr P are very welcome Amy! I'll even forgive that you broke the run of slushpile success tales because that's such a cool story, and in some ways similar to my own (at least the writing the books part, if not the meeting-your-agent-in-person bit.)

You can stalk find Amy's website here and twitter here.

Competition time!

This competition isn't one of mine, (although I'm holding one VERY soon) this is one run by my lovely writerly friend Gemma Cooper, Literary Agent at The Bright Literary Agency.

Here's the link to the blog launch and competition. And check out those prizes!

What do you have to do?

Just tell us in the comments what types of things you would like to see on our blog - what sorts of posts are going to be helpful?

There are two prizes:

Commenter prize - One random commenter will win a first chapter critique or critique of a full picture book.

Follower Prize - One random follower will win a critique.

• If we get 50 followers by the end of the contest, you will win a one chapter/one picture book critique.
• If we get 100 followers by the end of the contest, you will win a two chapter/two picture book critique!
• And if we get over 150 followers you will get a three chapter/three picture book critique!! 

All critiques will be done by Gemma Cooper, Literary Agent. Winners to be decided by random number generator. Competition closes on 21^st February 2012.

(The above is taken straight from The Bright Literary Agency blog, so you need to click on the link and do your commenting over there! Although you're most welcome to leave me comments too, you won't win anything from me - not just yet anyway : ) )

Good luck!

The How I Got My Agent stories: This week's guest post by Kimberly Welchons.

Ok, so it's only slightly later in the same week, but I love these stories, I have more to schedule, and I want to do another beta reading contest this month too. So this slightly-later-in-the-week's guest post on How I Got My Agent is here today, and it's by another of my new writerly friends, Kimberly Welchons.

I think she's the one on the left, but don't quote me

My “How I Got My Agent Story” is terribly exciting and full of unicorns, dragons, and mortal danger. Okay, okay, there weren't any unicorns.

About this time last year I was in New York at the Writer's Digest Conference where I could take part in a Pitch Slam, which was described as speed dating with agents. That was a lie. It was more like "Stand in line in 4 inch heels and a pencil skirt and listen to some guy talk about how his trip to Peru changed his life because that's where he first met the aliens" with agents. This was also where I met a group of girls who like changed my life dude (which is the best thing about conferences).
I pitched to a handful of agents and they all requested my material. Which wasn't done. Oops.
I went back to California and wrote like a mad woman. See, if I have deadlines I can do some incredible stuff. If I don't, I spend all day watching Daniel Radcliffe interviews. I finished and immediately sent it to my critique partners, their major consensus being "Why GOD is this in present tense?"

I had my reasons.
I sent it out.
I got rejections from every agent that requested it at the Pitch Slam.

FINE. I spent two weeks changing every single verb. My friend Michelle went through and read every singly verb. I got to the point where I couldn't figure out if the word 'cut' was in present tense or past (it's both). I also did some other fixing and trimming, things I had missed because I was trying to get it out before the Pitch Slam agents forgot about me. In reality, the manuscript I had rushed to get out wasn’t my best work and I hurt myself because of it. This is the part of the story where I stress taking your time, letting your book breathe, and letting yourself breathe. Also, listen to your critique partners.

Then I sent it out again in small bits. I spent a lot of time on my query letter, making sure the tone of the book really came through in each line, even in my bio.
A few weeks later I got an email from an agent who had pulled me out of the slush pile and wanted to talk. I was in a coffee shop that I go to because it's full of screenwriters and I like to gloat that my prose makes me a real writer to them. We all danced around.
30 minutes later I got an email from another agent who also wanted to talk. The screenwriters glared at me for being so noisy.

I talked to both of them, talked to their clients, emailed and asked questions. I even made a little excel sheet with their answers. They both had very, very different visions for my manuscript. I debated endlessly over sangria, did some research, and found childhood pictures of both agents (beware my googling ability). Everything about them was so different, and it was an incredibly tough choice.

What it ultimately came down to were the revision notes. I knew I wanted someone who was more editorial, who would dig her heels into a work and get it in the best possible shape before submitting to publishers. My book is much stronger with Meredith’s notes, and I’m glad I took the time to do the work with her.

So that’s how I signed with Meredith Kaffel at Charlotte Sheedy Literary. Not from a conference, from a pitch slam, or even in an elevator, but from good ol’ fashioned slush. It happens people!





More evidence that the slush pile works! All four of the stories featured so far on my blog - including mine - have been about success from the slush pile. I like what that says about your chances, don't you?

Here's where you can follow Kimberly's blog and tweets which you'll be wanting to do because she's nice. And funny.

The How I Got My Agent stories: This week's guest post by Stephanie Winkelhake.

This week's story comes from a new writerly friend of mine, the lovely Stephanie Winkelhake, so I'll hand over to her!

My aspirations to become a writer began when—as a kid—I attended my father’s book signings. He’d published a novel with an imprint of Random House, and I’ll never forget the amazing feeling of walking into a bookstore and finding my father’s book on the shelves.

My first attempt at writing a novel happened the summer of 2007. It was a young adult adventure story about oracles, magic, and treasure, and it was wrought with all sorts of POV and plot problems. So I had a lot to learn. That was okay. The important thing was that I’d completed a novel. And finishing a novel is like finishing a marathon, right? Once your mind wraps around the fact that you can do it once, you can do it again. (Or so I’ve been told. I’ve never actually run a marathon. I’ve just heard these things.)

I decided my next manuscript would be great. In 2009, I sat down and hammered out a YA dystopian. There was action! There was romance! There was…a lot of info dumping and poor character development. A few agents read it, but of course, there were no bites. But good things came of this experience—I learned more about queries, synopses, and submissions. I learned about the ups and downs of requests and rejections and how to handle them. Eventually, I also learned to let go of a manuscript I had believed in, and I knew that if I wanted to continue toward my goals, I’d have to work harder.

So at this point, I needed to step it up. I bought books about self-editing. I devoured YA novels like crazy. When I finished my third manuscript, I reached out and found beta readers. I joined an online writing community (YALitChat) since there wasn’t a local writing group in my area. I entered contests (there are plenty of free pitch and/or critique contests on online blogs). I joined RWA and entered some of their local chapter contests. As a result, I received a lot of great critique advice I could apply to the rest of my manuscript.

When I started querying for my latest project, I was lucky and managed to get a few requests from agents right off the bat. After several rejections on my full, I paused to re-examine the story. Based on critique feedback, I reworked the pacing in several parts and rewrote a few sections. I started querying again, and then I was encouraged when the next agent to reject my full had good things to say about my writing. She had liked my writing and my manuscript. She just didn’t fall in love with it. It was the best rejection I’d ever received.

Shortly after this, I placed first in a few contests. I added the wins to my query letter and around Thanksgiving, a new slew of requests came in. Marie Lamba of The Jennifer DeChiara Literary Agency was one of the requesting agents.

It was about this time when I realized I’d reached a turning point—I finally felt confident when it came to my writing. It was as if a light switched on inside of me, and I can’t tell you how happy I was to be in this place. And bonus, I found another YA writer in my local community (she’s now my critique partner). We started hanging out, and it was so nice to bounce things off someone who understood things my non-writerly friends might not.

And then, I got THE CALL.

On Jan 2^nd, Marie called me out of the blue. I’d slept in that day (we’d driven 16 hours the day prior) and I missed her call. Yup, I missed THE CALL. Marie had left a message saying she’d call back later in the day. So I gnawed on my fingernails for a few hours. The phone rang again that afternoon…and Marie offered representation!

I can’t say I was coherent.

I immediately emailed the other agents who had a partial or full of my manuscript. I told them I’d make a decision on the offer by Jan 9^th. Then I waited. In the meantime, I woke up every morning thinking THE CALL had just been a dream. I must have pinched myself over a hundred times that week.

Halfway through the week, I called Marie with a list of specific questions. By the end of the phone call, I was confident Marie and I shared the same vision for my manuscript. Without a doubt, I knew she was the right agent for me.

So on Jan 9^th, I picked up the phone and accepted Marie’s offer. A few days later, I signed the contract. I’m still walking around with a silly grin on my face!

Thanks for gracing my blog with your great story Stephanie!

You can follow the rest of Stephanie's story over on her blog and follow her on twitter here. You should probably go and do that now. 

New mini-series: The How I Got My Agent stories. This week's guest post by Michelle Krys.

Everybody loves a How-I-Got-My-Agent story - at least I assume they do, because I know I do. I'm thrilled that the first guest post in this mini-series is by my lovely crit partner and all-round internet bff, Michelle Krys!

So, you want to know how I got my agent?

Short answer: The old-fashioned way. Via the slush pile. 

Long answer: I’d like to take you all back to January 8^th, 1985. I was born naked and helpless…okay, maybe let’s skip a few years. In January 2010, I had a baby (a wonderful, magnificent, sweet baby named Ben). He slept through the night from under 3 months old, in addition to napping 3-plus hours in the day. Being on maternity leave, I had an AWFUL lot of free time on my hands that I was COMPLETELY not used to having (a year—I live in Canada). So naturally, instead of relaxing, I decided to write a book—something I’ve always wanted to do, but had been too intimidated to try. 

In 3 months time, I wrote a book.  I joined a website, Writersbeat.com, where I met my internet bestie/crit partner, whom you all know as Ruth Lauren Steven. After an initial major bitch moment from me (which we shall not discuss!), Ruth and I began exchanging critiques and became fast friends. We moved on to another website, Scribophile.com, where I met a ton of amazing friends who were, in addition to Ruth, completely invaluable in honing my writing. This book needed the rest of the year to edit, as it was sucky. Boring and sucky and will never see the light of day. But I learned a lot.

After this book I began another, which I gave up after a whopping 26,000 words because I had AN IDEA. An idea for a YA Urban Fantasy that I couldn’t ignore. I needed to write it—now. So I did—3 months later, my 81,000-word book was complete. And it needed less than a week of editing until I felt ready to start querying. I felt confident! I loved the book and my query letter felt strong. I knew this was going to be IT. Then the rejections started rolling in. After the first 15, I was starting to feel pretty dejected. I know 15 is not that much in the bigger picture, but 15 in a row after I’d felt so confident? Well let’s just say my confidence waned. But then I got a partial. From a major agent. The next day, another partial from a major agent. A few weeks later, the first partial-requester wanted the full. I almost died! That meant she read the first 50 pages plus synopsis and liked it. My book??!! A huge happy moment for me. But it wasn’t the first. Over the next few weeks, the full requests started rolling in. Six in total (Nine if you count the 3 requests I got after I’d already landed my agent!)

Then came the holidays, when all of the literary world shuts down from December 23^rd to January 3^rd. This was a dark time. There was a lot of internet stalking involved, which I’m not proud of. Then came January 11^th. I got a reply from one of those agents. She’d just finished reading the book…and completely loved it! She wanted to set up a time to talk on the phone. AHHHHHHH!! She called the next day and offered me representation (in addition to giving me a HUGE ego boost with all her compliments about the book). My initial reaction was to say “YES! WHERE DO I SIGN? MWUHAHAHAH I’VE GOT YOU NOW!” But there were other agents who had my full. In order to be professional, I needed to give them the courtesy of replying to my manuscript.  I alerted the other agents, and holy crap, several of them were interested, too! But in the end, it was the first agent’s major enthusiasm and extreme likability that sold me. So now I’m repped by Adriann Ranta at Wolf Literary. Woohoo!!

Hey, it's me, Ruth, again. Isn't that a cool story? But never mind the amazing sleeping baby (not jealous of that. No, not at all) or the fact that said first book was neither boring nor sucky; no, let's dwell on the little moment that we shouldn't discuss, just briefly. In fact, oh, what's this I have here? A blog post on it, you say? Well, if you insist : D Post in which I recount the nature of Michelle and Ruth's first encounter

Right, now that Michelle may never forgive me, who needs a crit partner?? I kid : D 

I couldn't be happier that you're all going to get to read Michelle's books, and I can confirm that she likes a stalker almost as much as I do, so here's her blog and right here is twitter

Thanks for sharing that with us Michelle!

A useful list of UK agents that accept YA novels

This week I thought I'd share the list of agents that I queried with my first YA novel, Fait Accompli. If you've read my first blog post, you'll know that I had three requests for partials - one from a UK agent, and two from US agents. During the time I was waiting for a response, I started my second novel, and had a major rethink about Fait Accompli.

The major rethink involved realising this: I'm a teacher, and sometimes, to help teach children to write stories of their own, we help them to re-tell other people's stories. So Owl Babies becomes Fox Babies. You get the picture. Anyway, it was time to admit that I'd completed an (only slightly) more sophisticated version of this practice myself. Fait Accompli officially became my training bra novel.

I received three very polite, and very expected rejections, one of which had me grinning all day. The agent in question (from the UK) wrote exactly what I'd already concluded about FA. Here's the message I got:

Dear Ruth,

I must apologise for not having written to you sooner and leaving you without a decision.

Thank you very much for sending me a sample of your work which I have now been able to read and consider. While I enjoyed it, I am afraid that I will not be asking to see any more. Although I thought it well-written and liked the narrative voice, I’m afraid I do not feel the plot stands out sufficiently. The YA market is currently saturated with the paranormal romance genre, and I feel that publishers are now looking for more original plots.

But thanks again for letting me see your work and good luck with finding representation. I attach a list of agents you may wish to try, and would be interested to see anything else you write in the future.

With best wishes,

Yours sincerely,

Why am I grinning? Because I believe in the plot of my new novel. And because this agent invited me to send her another query when it's ready : )

Of course, she's now at the top of my agents-I'll-be-contacting-as-soon-as-the-WiP-is-finished list. So I thought I'd share the list with you.

These are the UK agents I chose, not in any particular order. They all accept YA novels, they all have websites, and they all accept query via e-mail.

Glasshouse

Eve White

Eunice McMullen

Christopher Little

Caroline Sheldon

Annette Green

MBA (Sophie Gorell Barnes)

Wade and Doherty

Isabel White

Lucy Luck

Diane Banks

Antony Harwood (Jo Williamson)

Andrew Mann (Tina Betts)

Mariam Keen – Whispering Buffalo

Kirsty McLachlan at DGA

Claire Wilson at RCW

 Lauren Pearson at Regal Literary

 Futerman Rose

Anne-Marie Doulton at The Ampersand Agency

Ariella Feiner at United Agents

Laura Cecil

So there you have it. Hope this is helpful as a starting point for some research when you're ready to query :)