Monday 27 February 2012

The How I Got My Agent series: This week's guest post by Nick Cook.

It's time for the next installment of How I Got My Agent. This one's a little bit different, which I like. You know I'm a big advocate of the slush pile, but as Amy showed us earlier this month, it's not the only way to get an agent. I'll hand over to my Twitter friend Nick, to tell you how he did things a little bit differently, but got the result he wanted. Over to you, Nick!



My route to securing an agent was some time in the making and maybe not the standard journey (if there is such a thing) that most experience who succeed. 

In my former life I was the art director at a very successful games studio. The best thing about that job was working with such a talented creative team, but there was also a little voice inside me telling it was time to start getting serious about my writing. Eventually it got so loud there was no ignoring it any longer and one bright sunny autumn day in 2006, I walked out of my studio for the last time ready to pursue a full time writing career. I was fortunate that I had sufficient funds to finance that creative itch for some time without starving. So I started working in earnest.

A couple of drafts into my first book, like many who've been there in those early days, I was convinced my work was a masterpiece. I also happened to have a contact at Chicken House and within a short space of time became the proud recipient of a personal reject email (albeit a very nice and encouraging one) from Barry Cunningham no less. This was one of the best wake up calls I could have had... I realised I was just one of hundreds of manuscripts that had probably landed on his desk that week and had I really fully learned the craft to start putting my work out there yet? This needed a rethink on my part. 

I looked seriously at taking an MA in creative writing, even had an interview and was shortlisted but had left it too late for that academic year. So I sat down and considered what the priorities were for me... that mental conversation with myself took about a minute. What I obviously needed was an agent, but not just any agent, but a great agent of course. So the small matter of how that could become a reality started to occupy my mind... there had to be a way to avoid getting lost in the slush pile?

Having rifled through the Writers and Artists Yearbook a number of times and having filled it with coloured post-its identifying agents I would have sold a kidney to work with, I noticed one name appearing a number of time. It was a company that some agents took referrals from for new authors. That company was called Cornerstones. 

Cornerstones are a manuscript agency who will, for a fee, provide a detailed report on your manuscript. They also act as talents scouts for agents. This sounded perfect to me and so started a very rewarding collaboration with them. I paid for a report on my first book and it was a real eye opener, so much useful feedback identifying both strengths and weaknesses in my work. I was instantly hooked. I continued to work with Cornerstones and eventually although we both felt my first book showed real promise, the senior editor there, the wonderful Kathryn Price, told me she wasn't sure that it was necessarily the right book to launch my career with. This is where Cornerstones are brilliant. They look at your work holistically and in terms of whether a book is really the right one to establish you. Consequently, I took the tough decision to park the first book (actually three in the series by that point) with a mind to returning to it later on. In the meantime I had this new concept bubbling away and when I sent the first three chapters into Cornerstones, they were immediately excited by it. I was too. I could feel it was the right book, the one that would grab people's attention. It was at this point Cornerstones signed me, a real boost to my self confidence at the time (doubts inevitably start to creep in over a prolonged period). So began a period of intense writing and Kathryn pushing me to deliver my very best work. By December of 2011 we both agreed we had a draft ready to send out to agents. One month later I was signed with the totally wonderful Eve White... I couldn't have asked for a better agent. 

So there you have it. Lots of writing, false dawns and perseverance, combined with the guiding light to develop my writing that a manuscript agency can provide. I certainly feel I served a very rewarding writing apprenticeship working with Cornerstones. It's an alternative route to an agent, but a great one even if you just decide to get a report from them and nothing more. As a signed author Cornerstones take ten percent of my first advance as a fee. But for me this been earned times over. As you can probably tell, I can't recommend their services highly enough.


 You can follow Nick on Twitter and via his blog.

10 comments:

  1. wow, interesting. Not heard of Cornerstone before but it sounds like a good service if one can afford it.

    Another great story though and shows how these journey's can be so interesting

    Matt (Turndog Millionaire)

    ReplyDelete
    Replies
    1. Absolutely! It didn't really occur to me to try any other way than the slush pile, but some of these stories are great for showing that there are other ways.

      Delete
  2. I really appreciate you posting these stories - maybe someday I'll figure out how to get there myself :-)

    ReplyDelete
    Replies
    1. You're very welcome. I think it really helps to see that there's more than one way to attract the attention of an agent.

      Delete
  3. Cornerstones sounds interesting. Definitely like the idea of getting professional feedback on a manuscript. Sometimes it's impossible to find sound advice, so this might be a good direction to turn if you're happy to pay. Congratulations Nick on securing an agent.
    Ruth, another great story. Thanks for sharing.

    ReplyDelete
  4. reat story Nick - and a bit different!

    ReplyDelete
  5. Hi all,
    Thanks all! It really was a very exciting moment signing with Eve White. And it does once again show there are many ways to secure an agent.

    ReplyDelete
    Replies
    1. Thanks for being part of the series Nick. Maybe I can do some cover reveals for the authors that have shared their stories when the time comes!

      Delete
    2. That would be great, Ruth. I'll keep you posted! :O)

      Delete

Please prove you are a robot. I'll be disappointed if you aren't.